The hit show Stranger Things came back for a fourth season, and fans are excited! Netflix has released the long-awaited fourth season of Stranger Things by the Duffer Brothers. To read more about the hit mystery show or Online Casino Canada, keep reading!
Intro
The year 1986 in Hawkins, Indiana is once again eventful. In the trailer of a local derelict, the mangled body of a high school girl is discovered; she was the school’s most prominent cheerleader and homecoming queen. And this is the morning following the school basketball team’s historic championship victory. No holiday. Once more, darkness descended upon the city.
By the fourth season of Stranger Things, there were so many active characters that the Duffer Brothers had to split the season into two halves and transform each episode into a 70 to 100 minute movie (the final two episodes, one of which will last almost 2.5 hours, will be released in July). With enormous power came tremendous responsibility: the twilight of American history, inscribed in popular culture and positioned in county town X, began to reverberate in scale.
New characters are added to the population. New lands were conquered, including Los Angeles, Salt Lake City, Kamchatka, and Nevada’s steppe. Even the years align to pinpoint the source of the unearthly itch, which aids in locating the door to Hell.
Infamous Shopping Mall
The series resembled a shopping mall towards the end of the previous season, with gambling machines coexisting with a home chemicals store, a food court with a prom dress shop, and a movie theater with another adult store. As in the well-known structure of “War and Peace”: one consists of military scenes and the other of dance sequences.
Duffers possess a larger armament. Wescraven horror in Hawkins, incorporating A Nightmare on Elm Street (1984), Swamp Thing (1982), and Stephen King’s It (1990), among others. Made of tears, suffering, and memories, the line of the Eleventh (Millie Bobby Brown), where the spirit of Brian de Palma’s “Carrie” (1976) and “Fury” predominates, is replete with recollections (1978).
The incredible adventures of Americans in Kamchatka, where it throws from heat to cold, comedy to horror, the survivor Hopper (David Harbor), his sudden comrade-in-arms Antonov (Tom Vlashikha from Game of Thrones), and rushing, like Chip and Dale, for assistance from Joyce (Winona Ryder) and Murray (Michael Douglas) (Brett Gelman).
Finally, Mike (Finn Wolfhard), Will (Noah Schnapp), Jonathan (Charlie Heaton), and the long-haired hippy Argyle (Eduardo Franco) plan an escape from Los Angeles while delivering pizza and living on a high. Like hobbits from The Lord of the Rings, they pursue a vague objective in search of a magical relic or, more specifically, a girl who has always rescued them.
Plot
The plot becomes a little more complex, delving into the needless violence and contentious decisions of the Vietnam War and the Second World War, but it is much more entertaining to see the Duffers perform Munson-Manson stunts.
The season’s most talked-about scene, Max (Sadie Sink) levitating under Kate Bush while listening to her music through Max’s (Sadie Sink) headphones, is preceded by two functional episodes, in the parents’ home and on the gravestone, in which words are not only superfluous but also devoid of any sense of direction. Like the unyielding Robin (Maya Hawke), the Duffers are emotionless and devoid of feeling.
There is justification for such a violent shell-shock, however. If the previous three seasons of Stranger Things aroused and sealed the spirits of paranoia and carefully concealed terror, then the fourth season engaged in a combat with the poisonous guilt that plagues human existence.
Especially against the backdrop of PTSD, which, as in Vietnam veteran Hopper, seated Hawkins’ heroes. No one here is certain how to continue living. How to forget what one sees and lament what one has lost. While the recalcitrant citizens, led by basketball star Jason (Mason Dye), go into denial and choose to pursue the scapegoat, the others search for methods to make amends with the past. The entire Eleventh line is guided by the adage, “We must accept the good and the terrible within ourselves.” This motto is applicable not just to psychotherapy, but also to our own history, which, as we appear to be well aware, is not completely fluffy, heroic, and serene.